Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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RUISDAEL, Jacob Isaackszon van
The Windmill at Wijk bij Duurstede (detail) af

ID: 09005

RUISDAEL, Jacob Isaackszon van The Windmill at Wijk bij Duurstede (detail) af
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RUISDAEL, Jacob Isaackszon van The Windmill at Wijk bij Duurstede (detail) af


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RUISDAEL, Jacob Isaackszon van

Dutch Baroque Era Painter, ca.1628-1682  Related Paintings of RUISDAEL, Jacob Isaackszon van :. | Two Undershot Watermills with Men Opening a Sluice | Waterfall by a Church af | The Windmill at Wijk bij Duurstede (detail) af | Landscape with a House in the Grove about 1646 | House in a Grove |
Related Artists:
Xie An
Xie An (320-385), courtesy name Anshi .formally Duke Wenjing of Luling , was a Jin Dynasty (265-420) statesman who, despite his lack of military ability, led Jin through a major crisis -- attacks by Former Qin. His line became one of the two most honored during the subsequent Southern Dynasties -- the other being Wang Dao's line -- and in the minds of the people no less honored than imperial clans.
GIJBRECHTS, Cornelis
Flemish painter (b. ca. 1630, Antwerpen, d. after 1675, Copenhagen).
Ferdinand Victor Eugene Delacroix
Charenton Saint Maurice 1798-Paris 1863,was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. Delacroix's use of expressive brushstrokes and his study of the optical effects of colour profoundly shaped the work of the Impressionists, while his passion for the exotic inspired the artists of the Symbolist movement. A fine lithographer, Delacroix illustrated various works of William Shakespeare, the Scottish writer Sir Walter Scott, and the German writer Johann Wolfgang von Goethe. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on color and movement rather than clarity of outline and carefully modeled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic.Friend and spiritual heir to Theodore Gericault,






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